Since the moving image can be captured and accessed in digital form, it has elevated from the materiality conferred by the film rolls, and what the audience sees is also varies from the medium that displays the film. Hence, the definition of originality of digital creation might no longer be able to be interpreted under the digital context.
The book is a documentation of the first 12 frames of the film—Windhorse, the numbers represent the RGB values of each pixel from a single frame.
